Emma Sherk is a production and editorial assistant on the Ballast team who has
the pleasure of working on everything from heavy-hitting memoirs to board books
for young children. Emma joined us from Belmont University in Nashville,
Tennessee, where she studied book publishing and French. While Emma is often
buried deep in one of our manuscripts with her red pen, she took some time to
answer a handful of questions so authors can get to know the editor who makes
their books shine!
- You studied publishing and French! We know how you’re putting your
publishing degree to good use in your career, but do you have plans to
exercise your French degree as well?
French began as a special interest because my mom minored in French in
college. We would do French workbooks together when I was a kid, and
then I took French classes in high school. I decided to double major in
French and publishing in college. I got to study abroad in France in a
French immersion program. I lived with a host family who didn’t speak
English and all my classes were in French. It was amazing! I also got to
travel all around France and Europe. I would love to move back someday.
I am definitely a bit out of practice, and I don’t plan on having a career in
French, but it’s a skill I will always carry with me. I still talk with my mom
and my friends from abroad in French and love anything France-related:
the food, French film, the culture. I’m always planning my next trip there! I
would recommend learning a second language to anyone considering it.
You will be able to experience another country’s culture in a completely
different way! And for all the editors out there, learning a second language
will teach you more about English grammar than any English class!
- When did you know you wanted to work in the world of book publishing?
I’ve loved to read for as long as I can remember. As a kid, I was really
quiet and preferred books to people—actually, I still do. I would write
stories on our family computer and even won a writing contest in fifth
grade. English was always my favorite subject, and I made a lot of friends
because of our common interest in books. I bounced around a bit on what
career I wanted to pursue: journalism (I’m too shy), nursing (I faint at the
sight of blood), library science (I’d need a master’s degree). In high school,
I went to lots of book signings and attended the Kenyon Review Young
Writers Workshop, where I was taught by poet Hanif Abdurraqib. Being
surrounded by so many people who loved reading and writing reminded
me that things like science and journalism were not my passions.
Ultimately, I decided on publishing, specifically editing, because it’s a good
mix of reading and writing, my two favorite things. Plus, Belmont
University, which was close to home, had one of the only undergraduate
publishing degrees in the country. I was so lucky to have an amazing
advisor and incredible publishing opportunities as a student there. I do still
hope to publish my own work someday.
- How has working in publishing been different than you imagined? Has
anything about your role at Ballast surprised you?
Like every job, publishing involves a lot more emailing and communication
than you would think. A lot of the job is spent messaging other team
members for files, authors for editorial corrections, cover designers for final
changes, and typesetters because the drop cap is slightly too close to the
text. There are a lot of moving pieces that the average reader would never
know about! Fortunately, I work with an amazing team that is always on
top of everything and has taught me so much about the publishing world!
And this wasn’t exactly a surprise since I used it in college too, but The
Chicago Manual of Style is like the Bible for editors. Luckily, it’s always
right at my fingertips, and the more I reference it, the less I need it! Plus,
it’s nice knowing that even the best editors (shoutout to Lauren) use it
every day!
- Authors often come to us thinking their manuscripts are ready for the press
without the need for a final round of editing or proofreading. After
everything you’ve seen in this role, what do you have to say to authors
about the value of having an extra set of eyes on their books before print?
The truth is that nobody’s perfect. We all make mistakes. Even
experienced, bestselling authors cannot write a first draft with zero
grammatical or developmental issues. Editors want your manuscript to be
the best it can possibly be, so when we suggest a final round of editing or
proofreading, we’re on your side. We want your manuscript to be perfect
just like you do, but we know the reality of human error. When you’ve
worked on something for so long, your brain starts to automatically fix
errors as you read. With an extra set of eyes and a new perspective, you
can rest easy knowing we did everything possible to get your book ready
for readers.
- In your role, you work on books from a wide array of genres. Do you have
a preference for any genre in particular when you’re editing? Are there
challenges to editing certain genres over others?
I do particularly enjoy editing fiction just because that’s what I read in my
free time. At Ballast, I’ve gotten to work on fantasy novels, a thriller, a
dystopian apocalypse drama, and more. Those interest me because of the
work I get to do on the story and characters.
Working at Ballast has also given me an interest in memoirs. I enjoyed
Reality Check by Mike Sorrentino and Beyond the Sea by Navy Bob.
These gave me a new appreciation for experiences outside my
wheelhouse. That’s what I love about reading—it gives you a window into
the lives of other people, real and fictional.
Nonfiction books do present a specific challenge: citations. Citations are
the bane of my existence as an editor. You have to know the exact edition,
translator, correct formatting, and more. These often take just as long to
edit as the actual manuscript, but they’re a necessary evil to ensure every
quote and fact is credited!
- We never choose favorites around here (of course not), but have there
been any projects that have been particularly rewarding or enjoyable to
work on?
I recently edited A Day Like Any Other, a manuscript that was over five
hundred pages. It was fiction, so I loved immersing myself in the story, and
it’s particularly rewarding to finish such a long project, especially since I did
the full edit myself! I also did a lot of work on another fiction manuscript,
Mors Obliviscens, which involves fallen angels (this was my favorite
“genre” to read in high school). I had a lot of fun getting to know those
characters and helping Kayleigh, our production editor, with the cover
design.
- When you’re not reading or editing for work, who are your favorite authors?
My absolute favorite author is Emily Henry. Her books really made me fall
back in love with reading in college after I found myself with little free time
to read. I’m a sucker for romance, so Jane Austen is a classic favorite as
well. My other favorite genres are fantasy, literary fiction, and historical
fiction, and some authors I particularly love are Laini Taylor, Sally Rooney,
V.E. Schwab, and Kristin Hannah. My next read is going to be Before I Let
Go by Kennedy Ryan!
- When a favorite author announces a new title, do you automatically
preorder the book or do you wait until its pub date to purchase it?
I typically wait until its pub date and go to my favorite bookstore to
purchase the book! Nothing can beat that experience, especially since a lot
of stores these days have special editions. I did recently preorder Funny
Story by Emily Henry and picked it up in store at The Bookshop in
Nashville since they had a release party! Or, if I’m lucky, the author will
make a stop at Parnassus Books (Nashville’s indie favorite, owned by the
amazing Ann Patchett) and I’ll get a signed copy! I’ve met many famous
authors there!
- You specifically mentioned in your employee bio that you enjoy visiting
coffee shops. What is your go-to order?
My go-to order is usually an iced vanilla latte with oat milk, but I especially
love when a coffee shop has specialty drinks with different flavor
combinations. Something with vanilla, honey, and cinnamon is my favorite.
If you’re ever in the Hermitage, Tennessee, area (a suburb of Nashville),
try Elevate Coffee and get the Honeymoon Mocha or the Kilimanjaro! It’s a
drive-thru coffee shop owned by a couple from Seattle. It’s a local favorite!
- You’ve spent most of your life in the Nashville area, right? Is there
anywhere else you could see yourself living down the road?
I do love Nashville, but I would eventually like to live somewhere else. My
grandpa had a beach house built in Oak Island, North Carolina, back in the
seventies, and my family has gone there every summer since. It’s about forty
minutes from Wilmington, a historic, artsy city that’s only a short drive from the
beach. I would love to move to Wilmington and be able to read at the beach
whenever I want! I’ve also always wanted to live in NYC, although I don’t think I
could handle the hustle culture forever. And of course it would be a dream to
move back to France!